有些記憶，像是一星微弱卻頑強的火光，平日裡藏在歲月的深處，卻總能在某個不經意的瞬間，將整個靈魂重新點燃。那不僅是關於一場展覽的紀錄，更是我們那一代人在思想澎湃的巨變年代裡，用血肉與雙手跟歷史產生的一場深情重疊。

最近偶然看見「星星畫會」在法國的四十周年藝術展，我的思緒瞬間就被拉回了那個動蕩而熱烈的1989年。

那一年，在北京成立、掀起中國現代藝術浪潮的「星星畫會」，於台北漢雅軒畫廊舉辦了意義深遠的「星星十年」展覽。我有幸負責了該場歷史性活動的現場製作，並親自設計、以純手工打造了200個限量的獨特鐵盒。

對我而言，這些鐵盒從來就不僅是容器，它們本身就是一件件攜帶著時代體溫的藝術品。鐵盒裡，內藏著星星畫會成員們最真摯的24件原作與版畫，以及那幅宣告時代的《星星的最後晚餐》海報。三十多年過去，這段經歷如今看來，是我創作路上的一段交會，也是在當代藝術界留下的些許痕跡。

Certain memories act like a faint yet stubborn spark, buried deep within the layers of time, only to reignite the entire soul in one unexpected moment. It is never merely the record of an exhibition, but a profound interlacing of our generation’s flesh and blood, wrestling alongside history through the work of our own hands during an era of fierce intellectual awakening.

Catching a glimpse of "The Stars Art Group" celebrating their 40th anniversary in France recently, my thoughts were instantly pulled back to the turbulent and passionate year of 1989.

That year, "The Stars Art Group," born in Beijing and pioneers of Chinese contemporary art, held their milestone "Stars: Ten Years" exhibition at the Hanart TZ Gallery in Taipei. I had the privilege of managing the physical production for this historic event, where I personally designed and hand-crafted 200 unique, limited-edition iron boxes.

To me, these boxes were never mere containers; they were individual objects of art carrying the live temperature of an era. Encased within them were 24 original works and prints by the prominent members of The Stars, alongside the definitive poster of The Stars' Last Supper. Thirty-some years have passed, and looking back today, this experience stands as a brief intersection along my creative journey, as well as a modest mark left upon the contemporary art world.